Treasure Island — Study Guide for “The First Blow”
Themes / Big Ideas (and how they connect to the novel’s larger concerns)
- Coming of age and loss of innocence: Jim’s “joy of exploration” turns to horror as he witnesses murder; this accelerates his transformation from boy to survivor, a core arc of the novel.
- Loyalty vs. betrayal: Tom’s refusal to join the mutiny (and Alan’s implied loyalty) contrasts with Silver’s treachery, echoing the book’s recurring test of allegiance at sea and ashore.
- Moral ambiguity and manipulation: Long John Silver’s genial talk masks ruthless violence, reinforcing the novel’s theme that appearances deceive and morality at sea is slippery.
- The first open violence of the mutiny: The title’s “first blow” marks the mutineers’ shift from plotting to bloodshed, raising the stakes for all and propelling the central conflict.
- Courage and conscience: Tom’s declaration to “die in my dooty” embodies a code of honor that stands against pirate expediency, a persistent moral counterweight in the story.
- Authority and leadership: Silver’s quick command (signals, control over men) shows his leadership in contrast to Captain Smollett’s disciplined authority, a running tension throughout the book.
- Secrecy, surveillance, and signals: Jim’s eavesdropping and Silver’s coded whistle foreground stealth and signaling—motifs that shape many critical turns in the plot.
- Nature mirroring danger: Marsh-birds exploding into the air, the heat-haze, and the rattlesnake foreshadow peril and amplify suspense—Stevenson often lets landscape echo moral and physical threats.
- Isolation and survival: Jim’s fear of being cut off from the Hispaniola captures the novel’s survivalist strain—resourcefulness when civilization’s protections fall away.
- Greed’s corrupting pull: Silver’s oily appeals (“gold dust of you”) hint at how treasure bends loyalties and ethics, a driving force across the novel.
Vocabulary
| Word | Part of Speech | Definition |
|---|---|---|
| undulating | adjective | Moving or shaped in a smooth, wave-like rise and fall. |
| outlandish | adjective | Strikingly unusual or strange; unfamiliar. |
| bulrushes | noun | Tall reed-like plants that grow in marshes and wetlands. |
| contorted | adjective | Twisted or bent out of normal shape. |
| craggy | adjective | Rugged and rocky in appearance. |
| foliage | noun | The leaves of a plant or tree collectively. |
| thicket | noun | A dense growth of shrubs or small trees. |
| live-oak | noun | A type of evergreen oak tree. |
| knoll | noun | A small, rounded hill. |
| fen | noun | Low, marshy, often waterlogged land. |
| anchorage | noun | A place suitable for ships to anchor. |
| hearkening | verb (gerund) | Listening closely or attentively. |
| ambush | noun | A concealed position from which to observe or attack. |
| aperture | noun | A small opening or gap. |
| dell | noun | A small, secluded, usually wooded valley. |
| hoarse | adjective | Harsh or rough-sounding (of the voice). |
| taut | adjective | Stretched tight; tense. |
| swabs | noun (slang) | Contemptible fellows; an insult for sailors. |
| languor | noun | A state of tiredness, stillness, or oppressive quiet. |
| crutch | noun | A support used by someone with difficulty walking. |
| uncouth | adjective | Crude or lacking grace; unrefined. |
| missile | noun | A projectile that is thrown or launched. |
| defenceless | adjective | Without protection or ability to resist. |
| modulated | adjective/verb | Adjusted or varied in tone, pitch, or intensity. |
| buccaneer | noun | A pirate (especially of the Caribbean in the 17th–18th centuries). |
| mutineers | noun | People who rebel against lawful authority, especially on a ship. |
| extricate | verb | To free from constraint or difficulty. |
| frenzy | noun | A state of wild, uncontrolled excitement or panic. |
Quotes to Look For
- “I now felt for the first time the joy of exploration.” — Signals Jim’s initial innocence and adventure-spirit before his perspective darkens.
- “Little did I suppose that he was a deadly enemy and that the noise was the famous rattle.” — Foreshadowing and nature as warning.
- “This put me in a great fear, and I crawled under cover of the nearest live-oak and squatted there, hearkening, as silent as a mouse.” — Jim’s shift into secrecy and surveillance.
- “Mate, it’s because I thinks gold dust of you… it’s to save your neck that I’m a-speaking.” — Silver’s manipulative rhetoric; moral ambiguity.
- “Silver… you’re old, and you’re honest, or has the name for it… If I turn agin my dooty—” — Tom appeals to conscience and reputation; the clash of honor vs. mutiny.
- “The rocks of the Spy-glass re-echoed it… one horrid, long-drawn scream.” — The novel’s first clear murder shocks both Jim and the landscape.
- “It’s a black conscience that can make you feared of me.” — Tom’s moral rebuke to Silver.
- “Alan! Then rest his soul for a true seaman!… If I die like a dog, I’ll die in my dooty.” — Courage and steadfast duty in the face of pirate violence.
- “Silver, agile as a monkey even without leg or crutch…” — Silver’s physical prowess and predatory nature, despite disability.
- “I could scarce persuade myself that murder had been actually done…” — Jim’s stunned loss of innocence.
- “He… blew upon it several modulated blasts…” — Pirate signaling and Silver’s command over the mutineers.
- “There was nothing left for me but death by starvation or death by the hands of the mutineers.” — The stakes: isolation, survival, and fear.
- “And here a fresh alarm brought me to a standstill with a thumping heart.” — Cliffhanger tension driving the narrative forward.