Study Guide — Treasure Island, “The Cruise of the Coracle”
Themes / Big Ideas (and how they connect to the novel’s larger concerns)
- Coming of age and self-reliance: Jim manages fear, studies the sea, and acts decisively, illustrating his growth from boy to capable seaman.
- Man vs. nature—and learning respect for it: Jim survives by adapting to wind, current, and swell rather than fighting them; the sea is a powerful, indifferent force throughout the novel.
- Perception vs. reality: The “huge slimy monsters” turn out to be harmless sea lions; the waves look like “glossy mountains” from shore but have “valleys” a small craft can thread—echoing the book’s recurring theme that appearances deceive (as with pirates’ false loyalties).
- Courage vs. recklessness: Jim’s daring choice to board the Hispaniola borders on rash, yet it proves pivotal—typical of the novel’s blend of bold action and real risk.
- Discipline vs. mutiny (order vs. chaos): The unmanned, wildly wandering Hispaniola shows what happens when seamanship and leadership break down—an image of the mutineers’ incompetence and the cost of rebellion.
- Skill, luck, and Providence: Wind lulls, currents, and timing give Jim openings, but he also earns success through observation and seamanship—balancing chance and agency, a tension seen across the book.
- Physical endurance and survival: Thirst, sun, salt, and fatigue test Jim’s will, highlighting the bodily costs of adventure that underlie the romance of treasure-hunting.
- The lure of adventure: Jim admits the “air of adventure” motivates him as much as necessity—capturing the novel’s enduring pull of risk and reward.
Vocabulary
| Word | Part of Speech | Definition |
|---|---|---|
| coracle | noun | A small, light, roundish boat; here, Jim’s tiny craft. |
| gunwale | noun | The top edge of a boat’s side. |
| breakers | noun | Waves that break into foam against shore or rocks. |
| swell | noun | Long, smooth, rolling waves on the open sea. |
| trough | noun | The lowest part between two waves. |
| contrariety | noun | Opposition or conflict; being contrary (e.g., wind vs. current). |
| yaw | verb | To swing or veer off course from side to side (of a vessel). |
| leeway | noun | Sideways drift of a ship due to wind/current; also, margin for error. |
| in irons | adjective (naut.) | With the bow pointed into the wind so the sails can’t fill; the ship stalls and won’t steer. |
| dead aback | adj./adv. (naut.) | With the wind pressing directly onto the front of the sails, stopping or forcing the ship backward. |
| tiller | noun | A lever used to turn a boat’s rudder (to steer). |
| jib-boom | noun | A spar extending beyond the bowsprit to carry the jibs. |
| bowsprit | noun | A spar projecting forward from a ship’s bow. |
| companion (companionway) | noun | The hatch and stairway from the deck to the space below. |
| batten (down) | verb | To fasten or secure tightly; “batten down” hatches or, figuratively, people. |
| forefoot | noun | The forward, lowest part of a ship’s hull where stem meets keel; under the bow. |
| stock-still | adjective | Completely motionless. |
| easting | noun | Eastward distance made in navigation. |
| shiver (of sails) | verb (naut.) | To flutter or shake when the wind is wrong (sails not drawing). |
| wind’s eye | noun phrase (naut.) | The direction from which the wind blows; “in the wind’s eye” = directly into the wind. |
Quotes to Look For
- “I felt willing rather to starve at sea than to confront such perils.” — Heightens man-vs-nature stakes and Jim’s isolation.
- “I have understood since that they were sea lions, and entirely harmless.” — Perception vs. reality; fear often exaggerates danger.
- “It was plain she was not to be interfered with…” — Respecting the coracle’s balance; learning to work with nature, not against it.
- “I began to be horribly frightened, but I kept my head, for all that.” — Jim’s growing steadiness under pressure.
- “I set myself to study how it was she managed to slip so quietly through the rollers.” — Observation as survival skill; practical seamanship.
- “I found each wave… like any range of hills on dry land…” — Vivid imagery that reframes the sea and shows Jim’s learning.
- “Clumsy fellows… they must still be drunk as owls.” — The mutineers’ lack of discipline; contrast with Captain Smollett’s professionalism.
- “It became plain to me that nobody was steering.” — Image of leaderless chaos, mirroring the moral disorder of mutiny.
- “The scheme had an air of adventure that inspired me…” — The pull of adventure alongside necessity (thirst), central to Jim’s character.
- “I could not choose but suppose she was deserted… where I might batten them down, perhaps, and do what I chose with the ship.” — Jim’s daring, strategic thinking—and moral boldness.
- “My first impulse was one of despair, but my second was towards joy.” — Emotional whiplash of high-stakes action at sea.
- “I sprang to my feet and leaped, stamping the coracle under water… I was left without retreat on the Hispaniola.” — Point of no return; decisive act that propels the plot and Jim’s maturation.