While I was eagerly glancing at the bright pages of “Marmion” (for “Marmion” it was), St. John stooped to examine my drawing. His tall figure sprang erect again with a start: he said nothing. I looked up at him: he shunned my eye. I knew his thoughts well, and could read his heart plainly; at the moment I felt calmer and cooler than he: I had then temporarily the advantage of him, and I conceived an inclination to do him some good, if I could.
“With all his firmness and self-control,” thought I, “he tasks himself too far: locks every feeling and pang within—expresses, confesses, imparts nothing. I am sure it would benefit him to talk a little about this sweet Rosamond, whom he thinks he ought not to marry: I will make him talk.”
I said first, “Take a chair, Mr. Rivers.” But he answered, as he always did, that he could not stay. “Very well,” I responded, mentally, “stand if you like; but you shall not go just yet, I am determined: solitude is at least as bad for you as it is for me. I’ll try if I cannot discover the secret spring of your confidence, and find an aperture in that marble breast through which I can shed one drop of the balm of sympathy.”
“Is this portrait like?” I asked bluntly.
“Like! Like whom? I did not observe it closely.”
“You did, Mr. Rivers.”