And the pocket-book was again deliberately produced, opened, sought through; from one of its compartments was extracted a shabby slip of paper, hastily torn off: I recognised in its texture and its stains of ultra-marine, and lake, and vermillion, the ravished margin of the portrait-cover. He got up, held it close to my eyes: and I read, traced in Indian ink, in my own handwriting, the words “JANE EYRE”—the work doubtless of some moment of abstraction.
“Briggs wrote to me of a Jane Eyre:” he said, “the advertisements demanded a Jane Eyre: I knew a Jane Elliott.—I confess I had my suspicions, but it was only yesterday afternoon they were at once resolved into certainty. You own the name and renounce the alias?”
“Yes—yes; but where is Mr. Briggs? He perhaps knows more of Mr. Rochester than you do.”
“Briggs is in London. I should doubt his knowing anything at all about Mr. Rochester; it is not in Mr. Rochester he is interested. Meantime, you forget essential points in pursuing trifles: you do not inquire why Mr. Briggs sought after you—what he wanted with you.”
“Well, what did he want?”
“Merely to tell you that your uncle, Mr. Eyre of Madeira, is dead; that he has left you all his property, and that you are now rich—merely that—nothing more.”
“I!—rich?”
“Yes, you, rich—quite an heiress.”
Silence succeeded.